Thursday, February 27, 2014

Poetry Blog #5

"Marks" by Linda Pastan is all about a woman's relationship with her family, described via grades. My whole life at the moment seems to fall somewhere on a scale of its "correctness" (ACT, GPA, Transcript, Audition seating, etc.) and so that allows me to relate to this poem. This poem is fantastic because of its unique way of addressing a topic of relationships.

Tone: ironic at first, last two lines seem almost sad

Word Choice:  All of the diction is fairly common place, it has been put in terms of a report card and thus the ideas are fairly simple on a surface level. There are no words strong towards either a positive or negative connotation but they are all fairly average.

Imagery and detail: There is not much imagery in this poem, in place detail is given through the categories of the grades. For example, we learn about her lack of completing everything with her getting an "incomplete for [her] ironing." 

Style: The whole poem is very based in parallelism, each section starts with each person's relationship to the speaker and then abruptly lists her qualities. There is a lot of enjambment, signifying how the grades just go on and on, how the grades never end. The main irregularity is the last two lines where it is its own short sentence, causing a shift.

Theme: One should not strictly evaluate others on scales, but instead look at the whole person.

Right now I feel like everything I do is being looked at through a microscope so this scrutinizing at such a close level is how I feel about my actions at the moment. 

Wednesday, February 26, 2014

Snapping Beans

I love my family.  I really do.  They're supportive and loving and take great care of me.  We spend quality time together.  That doesn't mean I tell them everything that goes on in my life, or that they'll understand it perfectly.  Does that mean we aren't close?  No, I don't think it does.

Tone: Nostalgic for the life she had before school -- The way she talks about her grandmother shows the love she has for her and the respect that exists there.  The way she describes the cornstalks shows the comfortable imperfection of nature, and juxtaposed to the speaker's life, demonstrates the internal struggle the speaker feels when making her choices.

Guilty for the enjoyment of her life in school. -- lines 18-19, 26-38

Word Choice:
"splintering slats," "strychnine," "familiar/heartsick panels of the quilt," "I was tearing, splitting myself apart" 
 These word choices work together to show the complex character of our speaker.  She is the splintered one, pointing in all directions as to where she should go.  She is comfortable in her surroundings while experiencing the tense emotions of school.  Instead of heart-shaped panels, her quilt has "heartsick panels."  This gives readers insight on her true feelings as she visits home.  She is splitting because of her torn joys in her differing aspects of life.

Imagery/ Fig Lang: The "splintering slats/of the porchswing between [her] grandma and [her]"  are a metaphor for the differences between their experiences.  The speaker attends school in "the North," so her experiences must change her views and opinions from what they once were when she lived in the not North, so she splinters personalities: her school side and her family side.  The speaker's description of the setting is all natural.  The grandma gently lets the speaker know she still loves her and is there for her as family (lines 20-24).

Syntax: The poem is written in free verse, like it is the speaker's thoughts throughout this moment with her grandmother.  The mix of endstopped and enjambed lines furthers this thought, as the mind is a mix of connected and disconnected thoughts.

Theme: One often ignores one's feelings to maintain order in life.  The speaker refuses to tell her grandmother the truth, seemingly only to keep peace in her two worlds.

I think the speaker is trying to figure out where she stands between the world she has with school and the world she came from, her home.  It's relevant for many a person about to embark on the next leg of her journey through life.  Where do we stand?  Where do we fit in?  I'm just glad there will finally be an official group at church for 18-to-22-year-olds.

"Cousins" by Kevin Young

The style/syntax of the poem is particular in the sense that is in chronological order. It begins in his early childhood, with memories of his cousins learning how to ride a bike and time spent as a family. As the poem progresses though, so does time and the speaker appears to grow up, now looking at girls (only to realize that he’s related to them) and now questioning the nature of everything, feeling sadness for the world. The tone of this poem by Kevin Young is tied to the loving nature of his relationship with his family, his cousins in particular. That connection reveals a loving and caring tone throughout a majority of the poem. The death of his cousin’s suicide is the mark for the shift in tone in the poem. It is a different type of longing, longing for very different things that mark this shift in tone. Words like “aching” and “sunless” make the sadness ring in the reader’s ears as they realize what has happened with his cousin. From this point on, the diction is much more morose in the most subtle of ways with the use of “regret” , “buzzes”, and “pressing.” Even the mistaking a cousin for a hot girl didn’t feel the same anymore. The organization of the poem, too, contributes to this tone. After the first stanza, the last line of each stanza is comprised of a fragment. This shows the hesitation in the speaker’s actions and is even more evident after his cousin’s, Keith’s, suicide. Towards the end of the poem, however, he does state “I am cousin” which I think links back to that connection he felt with his cousins. This is what I took as the theme of the poem. That even though stuff happens, and it will, that family is always there.

I think I chose this poem because of the connection I have with my cousins, particularly on my mom’s side of the family. There’s thirteen of us, the oldest being almost 21 and the youngest being 1. And even though I’ve moved around a lot and haven’t seen most of them for at least a couple of years, I maintain that strong connection with them because they are my family and they are my cousins and am incredibly grateful for them.

Tuesday, February 25, 2014

My Papa's Waltz

My Papa's Waltz by Theodore Roethke The whiskey on your breath Could make a small boy dizzy; But I hung on like death: Such waltzing was not easy. We romped until the pans Slid from the kitchen shelf; My mother’s countenance Could not unfrown itself. The hand that held my wrist Was battered on one knuckle; At every step you missed My right ear scraped a buckle. You beat time on my head With a palm caked hard by dirt, Then waltzed me off to bed Still clinging to your shirt. From the very beginning, before the first stanza, we already know what the poem is essentially about. The title reveals to us the main focus of the poem is about a dad and his "waltz". But, upon the first line, this "waltz" that we don't know anything about is revealed as a drunken walk that the speaker, "a small boy"(2), is taking part in, like a dance. Though waltzes are smooth and artistic, this dance was portrayed as a "romp[ing]"(5) dance, not at all as elegant as the traditional waltz. It seems that the father is being a little rough in his drunken state. The boy has trouble keeping up, having to "[hang] on like death", and scrapes his right ear on his dad's buckle. The father "beats" the time of the dance on his head with his "palm caked hard by dirt." His choice in using the word "beat" gives us the impression that it is somewhat abusive, and the description of the hand hardened by the dirt assures us there is nothing gentle in his actions. But all the time he still clings to his shirt. This portrays a theme of admiration in that though the boy is dizzy, continually scrapes his ear on the buckle, and gets beat on the head, he is still clinging to his dad, all the way to his bed. This poem is iambic, containing three stressed syllables, making it trimeter. It follows a standard ABAB rhyme scheme with some slant rhymes here and there, like "dizzy" and "easy" in lines 2 and 4 in the first stanza. But the rhythm of the poem is the same as a waltz. Waltzes are written in 3/4 time, meaning 3 beats per measure. In terms of the poem, there are three stressed syllables per line. My uncle is who I think of when reading this poem. He lives in Missouri, so the only times I would see him was at family gatherings for holidays. And more often than not, he was drunk, or at least getting there. He would tell us jokes and play games with us, and it seemed the drunker he got the funnier he was. Though there was no violence, the admiration was the same that the boy had for his father. Thinking of him brings the smell of alcohol, because you wouldn't have to be too close to him to be able to smell the liquor on his breath. I understand the dizzying feeling this boy portrays, having felt something similar back then.

Daedalus and Icarus

Daedalus was a talented Athenian Inventor/artist/sculptor and decedent from from the "first king of Athens" often referred to as mythical. Even though he knew he was well valued, he committed a crime of envy against Talus, his nephew and apprentice. When Talus devised the saw, Daedalus, out of jealousy, threw Talus off of the Acropolis. For this, Daedalus was sent to Crete and forced to serve under King Minos, where he had Icarus with a beautiful mistress-slave of King Minos. One of Daedalus' most famous works was the Labyrinth that Minos wanted to imprison the Minotaur (the head of a bull and the body of a man). The Minotaur was the son of Minos' wife and the bull that Poseidon sent as a gift. Because this creature was born, he imprisoned him in the Labyrinth where it fed on humans. Theseus, the King of Athens, went to slay the Minotaur to end the human sacrifice to Minos. Minos' daughter however fell in love with Theseus and went to Daedalus to help Theseus through the Labyrinth. From this the Minotaur was slain and Theseus returned from the maze. Minos, pissed off, put Daedalus and Icarus in the Labyrinth to punish Daedalus. To escape, Daedalus came up with his famous plan of wings and flying them out of Crete. From feathers and wax the wings were build and then during the breakout, Daedalus warned Icarus not to fly too low and get the wings wet and not to fly too for the sun would melt the wax. But Icarus, to happy because he was flying flew too close to the sun where the wax melted and he fell. Different stories claim that Daedalus died and claim that he survived and Icarus' body was found and buried where it still is recognized by a rock jutting into the Aegean Sea.

As for risk and obedience, I enjoy taking risks. Sometimes they don't end up beneficial to me, but most of the time I am lucky and they do. For this, I really enjoy the exploration of new things and creating of new things like Daedalus. I tend to stay to the "instructions" of life if that is what obedience is, but every once and a while, I stray from those "instructions" having a disheartening experience or something that puts me against something else.

One of my riskier experiences was going to Guatemala on a mission trip my freshman year summer. There, in a country where I could not speak spanish (I took latin) or the native language, I manage to change someone's life forever building a cinder block home for the needy family. At the end of the trip, we stayed in a Hostel in Guatemala City and I have never been that scared for my safety before or since. Our guide, actually from lexington, but he went and never returned he loved so much, took us around the city in vans and drove us by streets that he warned "Don't go down that street. It is controlled by a gang and you either be murdered or will have to pay an enormous amount of money to escape with your life." He actually said this many times on that tour which I still remember was the most anxious 2 hour tour I have been on.
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School at Home

"Marks" by Linda Pastan

Although I really haven't really been in a situation that wants me to "mark" my parents on how they are doing, I feel that this is what school is. Not the learning but the overachieving, the best presentation. Each student is like a different presentation to everyone. To students, I might be funny or annoying. To teachers I might be a great student showing outside interest or a student just trying to finish senior year. To my parents I might be a great child who is trying hard and achieving everything that I want or a student who is not doing enough and not concentrating enough on school. Who knows but the people who are being presented to. But in this poem the mom/wife feels the pressure of being average and not as good, not living up to expectations. I know many people who feel that way both in school and at home. It affects their decisions and their attitude towards important and non important dealings in life.

DIDLS

Diction- in this poem the average wording and the negatively associated word choice both add to the feeling of disappointment and the feeling of failure. "an incomplete for my ironing, / a B plus in bed" is just one example of the negative diction and the lacking special feeling.

Imagery- there isn't much adjectival imagery in this poem. It is more of a mental comparison to the reader's experience with failure and their average feeling. "My daughter believes in Pass/Fail and tells me / I pass..." is comparing the daughters feelings with the reader's idea of school and passing or failing a test.

Details- the narrator addresses each member of her family as she is describing her feelings towards her supposed averageness. From her husband and son to her daughter and even herself eventually giving the almost defiant response of "I'm dropping out" addressing her ideas of her expectations as a mom and a wife.

Language- as I discussed above in Diction, the narrator uses negative words and connections to create the downtrodden disappointed tone in this poem. "My son says I am average, / an average mother..." suggesting a self disappointed mood from the narrator.

Syntax- the syntax in this poem is 4 sentences addressing each opinion of the narrator individually. By writing that the children have hope for their mom by saying "but if, / I put my mind to it / I could improve" it adds to the children's usually positive points of views, where as the narrator doesn't want to be just average, but at the end the poem suggests that she will not become better.



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Poetry Blog #5

TWIST-- Snapping Beans by Lisa Parker
Tone-The speaker's tone in this poem is conversational, yet wistful and restrained. The speaker knows that her and her grandmother aren't as close as they were before she left for college, so she longs to share everything with her grandmother, but can't in order to preserve the closeness between her and her grandmother.
Word Choice-A lot of alliteration is present-"snapped beans into the silver bowl that sat on the splintering glass" and "the sun rose, pushing its pink spikes"- and many controversial words, if you will, such as "Jesus" and "faith" versus "noserings", "sex", "alcoholism", and "Buddha" in order to create an essence of conflict between the grandmother's understanding of the world and the speaker's new experience in the world.
Imagery-The speaker uses imagery to describe the scenery of the poem, the way how her grandmother's hands hold her "face the way she [holds] tomatoes under the spigot",  and to describe the way how the leaf blows onto the porchfront, resulting in the grandmother stating "It's funny how things blow loose like that". The imagery throughout this poem is essential in helping the reader picture what the speaker is conveying in her conversation with her grandmother. Also, not barely any dialogue is used in this poem, and the imagery fills in nicely for that.
Style/Syntax- As mentioned before, alliteration is prominent throughout the poem, along with simile ("as real as any shout of faith and potent as a swig of strychnine) and personification ("familiar heartsick panels of the quilt she made for me"). These devices help to arrange the poem in its wistful nature, with the speaker basically using comparisons to express the distance between her world and her grandmother's worlds.The imagery that the speaker uses takes the place of any dialogue that could be going on, which is another aspect of the style of the poem.
Theme- Colliding the two different worlds of religion and secularism would not result in a positive outcome, but avoiding it could create an even greater and more unfortunate disconnect between the people whose lives are influenced by these worlds.

This poem relates to me in the fact that it is similar to the relationship that I have with my grandmother. Whenever I go to visit her, we always spend time making food together with activities such as snapping beans just like the speaker and her grandmother do. My grandma is also very religious, and "What A Friend We Have In Jesus" is an example of one of the many church hymns that my grandma would hum or sing while we spending time together. I am also religious myself, so I share a lot of the same views with my grandmother, although I do live in a different world than her in what I experience every day at school and work. Me and my grandmother aren't joined at the hip, but we still have closeness between us, and trying to introduce the world that I experience every day with her might upset her due to our beliefs (heck, what I experience upsets me alone).

Wild Geese By Mary Oliver

Mary Oliver explores the family of things in her poem "Wild Geese." The tone is peaceful, hopeful, and comforting. For example, she says, "You only have to let the soft animal of your body do what it loves." It creates a nice flow that enriches a peaceful tone.
Her word choice and diction creates a positive connotation, especially in the words describing the environment and nature. All of the word choice is familiar, mirroring a casual and welcoming tone. It causes the reader to be relaxed and want to feel this ease with nature and family.
Oliver speaks figuratively in the whole poem because she is exploring family dynamics disguised with geese. While it explores a family of geese, it has a deeper meaning at large about any kind of family. The poem uses imagery to create a sensory experience through the nature. "The sun and the clear pebbles in the rain" make you feel like you are outside listening to this peaceful noise.
The style is unique because it is indented before "love what it loves." This has a powerful effect in causing this part to stand out to the reader. This line is especially import because she is saying not to worry about all the little things but just let it be and let yourself do what you do and love most. She speaks in an active voice the entire poem, most likely to suggest that this is occurring now and can still be changed. She wants the reader to act upon what he or she has read and make changes in his or her life.
The theme is that we overcomplicate life and get caught up in the details and unimportant matters, which hinders family relations and the inner peace that exists.
I relate to this poem because I am a very busy person with high expectations for myself. In order to be happy, accomplished, and doing what I think I should be doing, I think I need to take on an insane number of things and succeed at all of them. This poem helps me remember what is important and the peace that can be found in nature and family. I just need to do what I love, be with who I love, and be happy and content with that.

"Marks" by Linda Pastan

TONE: Sarcastic, slightly bitter
One is able to see with her establishing a grading system for how her family regards her, Pastan creates a sarcastic way of addressing them by deciding to "drop out" of their family.

WORD CHOICE: "incomplete for my ironing", "... if/ I put my mind to it/ I could improve", "Wait 'til they learn/ I'm dropping out"
By choosing to use grading words, such as actual letter grades, "incomplete" and "Pass/Fail", Paston establishes and reinforces the title and the idea of her family judging her capabilities. The line "...if/ I put my mind to it/ I could improve" is one that is heard by many underachieving students demonstrating potential, likening her to a slacker of sorts. By ending the poem with "Wait 'til they learn/ I'm dropping out," the reader is able to see the slight bitterness that she harbors as well as how she herself regards their grades as a joke.

IMAGERY: homey environment ("last night's supper", "incomplete for my ironing"), school setting ("A for last night's supper", "I could improve", "My daughter believes/ in Pass/Fail")
Through notes that her husband gave her, such as "an A/ for last night's supper" and "an incomplete for my ironing", as well as including comments that her children gave her, Paston creates an intimate and candid family and home environment. However, by using the various grading systems that one may encounter in school, she also creates the feeling of aversion that school creates.

STYLE: enjambed lines
The multiple of enjambed lines creates a harshness when reading, showing someone in almost disbelief and flippant with the way her family regards her. The awkward breaks demonstrate her disregard for convention and for her family's thoughts.

THEME: Appreciate those who are in your life not only for what they are able to tangibly provide.
One can see through the letter grades given by her husband on menial tasks, her son's sweeping generalization, and her daughter's impersonal "pass", Paston feels overly evaluated and under appreciated by her family. By using tone, word choice, and style, she crafts a poem in which in the end she declares that their notes are irrelevant and she is "dropping out."

Being evaluated has shaped my being. Ever since starting school, my parents would compare me to others with the stats I provided, whether it be a grade in math or a level of achievement in music. These hard and fast numbers led me care about the grade I got rather than the experience I gained or the lessons I learned. But over time I've realized, like Paston, that these marks don't matter as much as I make them out to be.

Poetry Blog #5

TWIST of "Wild Geese" by Mary Oliver

Tone: The tone seems to be contemplative and straightforward while maintaining a hopeful outlook. "You do not have to be good" comes across almost as a command, and sounds very matter-of-fact, while "Meanwhile the world goes on" has the hopeful tone to it. There is a shift after the third line, where the tone lightens a bit.

Word choice: Oliver addresses the audience as "you" rather than using a general term. It creates a feeling that she is speaking directly to the reader, telling him or her that he or she does not have to be good and so on. Oliver also begins a few lines with "meanwhile," creating repetition.

Imagery: This poem is full of imagery, such as "Meanwhile the sun and clear pebbles of the rain / are moving across the landscapes," and "Meanwhile the wild geese, high in the clean blue air, are heading home again." Oliver paints two very realistic images of nature with these words.

Style: Oliver switches from short, one-line sentences to long, more complex sentences. She uses the shorter sentences for the more demanding words, while the longer sentences are used to explain her assertions. Her first sentence is "You do not have to be good," and her last sentence is "Whoever you are, no matter how lonely, / the world offers itself to your imagination, / calls to you like the wild geese, harsh and exciting -- / over and over announcing your place / in the family of things."

Theme: The theme of the poem is that no matter how lonely you may feel in this world, or how wrong your life may be going, you will always find solace in nature, and nature will always be there. This is evident in the last line, where Oliver calls the world and nature "the family of things."

I was drawn to this poem because it discusses a more unconventional relationship, and it creates a home out of nature. Oliver talks of doing what you love despite what others may say and to be happy being who you are, which are things I believe in. So in a way, I guess the speaker reminds me of myself.

Poetry Blog #5

TWIST of "Cousins," by Kevin Young

Tone: The tone of the poem starts off as very loving, and perhaps nostalgic. He discusses his cousins, and his childhood surrounded by all the members of his big family. There is a darker shift at Line 24, when the speaker begins talking about Keith, a cousin who hanged himself. After this he adopts a more reflective yet passionate tone, discussing the impact his cousins have had on him and the meaning of cousinship.

Word Choice: Young's constant repetition of the phrase "This is for" throughout the poem emphasizes not only the extent of all the speaker's cousins, but also the dedicative nature of the poem. It's not about them, it's for them, as he repeatedly emphasizes. He also goes out of his way to explain sound devices, explaining how the word "cuz" is a long, buzzing, comforting sound. This compares to the sometimes-irritating but ultimately-comforting nature of his large number of cousins.

Imagery: Young uses a lot of imagery to describe and humanize the cousins he lists. Big Red is "the color of Louisiana dust, the rusty dirt we blew up" and Keith hung himself "like the paintings he masterpieced." This takes what could be a simple description of a cousin and shares the speaker's experiences with the reader, as opposed to saying Big Red is "rust-colored" or that Keith was "an artist." It makes all of the cousins easier to relate to.

Style: The poem is full of rambling enjambment and run-on sentences. This seems to be to give the reader a sense of the chaos accompanying such a large family, especially as he rambles on about various cousins in the beginning, sentences running over line after line at random points. Towards the end of the poem, these long sentences become increasingly packed with interruptions and caesuras, giving a more passionate and earnest feel to his thoughts.

Theme: The major theme in "Cousins" is the effect of family. Young claims that, while one's extended family can be hectic and oversized, they should still be valued above all else because  your family is the closest and most ancient bond that we have.


While it may not be to the extent of Kevin Young, I feel a connection with this poem because I have a very large extended family. If I count right, I have nine aunts and uncles and nine first cousins. While all of them live very far away, I still very much enjoy the periodic company of all my cousins. You can really feel the loving chaos that Young describes during the occasional Langley family Christmas or Thanksgiving dinners (that's the side where most of those relatives are concentrated).

Poetry Blog #5- TWIST Pastan

“Marks” by Linda Pastan
Tone: The tone of this poem is indifferent but slightly cynical towards the end. All the way up until the last two lines the speaker’s tone is pretty bland. Then, when she says “wait ‘till they learn / I’m dropping out,” she’s sort of saying “jokes on you” to her family.
Word choice: Pastan intentionally refers to her relationships with the members of her family using grading scales. Her husband’s satisfaction with her is measured by letter grades. For example, she received an “A / for last night’s supper.” On the other hand, the speaker states that her son views her as just average with the potential to improve if she “puts her mind to it.” Pastan’s word choice implies that the speaker must maintain the standards of the other members of her family and that she is under the authority of her other family members.
Imagery: This poem paints a picture of a family indifferent to the needs of one another. The direct references to school grading systems establish a rigid structure that includes authority, responsibility, and ultimately judgment. However, nothing in the poem suggests that there’s love or sensitivity between the family members.
Style: Much like students can be unconcerned with their grades, the speaker has grown indifferent to the marks she receives from her family. She doesn’t have the slightest intention to put her “mind to it” (as her son says) or to improve other areas of her performance.
Theme: A family who takes one another for granted will eventually fall apart.
In this poem, the son, daughter, and husband take the mother for granted. They expect a lot from her, yet they are always judging her performance. Even though the daughter gives the speaker a “pass” rather than “fail,” the act of dishing out this mark suggests that the daughter is constantly judging her mother. From the tone of this poem, we can tell that the speaker has grown numb to the judgment. Instead, she anticipates her family’s reaction to her “dropping out.”  
Luckily for me, my mother has never considered “dropping out” of our family. However, I can relate to this poem because I realize that my mom manages a lot in our household without always receiving the recognition she deserves.




TWIST of Mother to Son by Langston Hughes

This poem stuck out to me in particular because of the relationship I have with my mom. My mom has always been a hard workers, even when she started from meager means as a young adult. I've often heard her tell me things like this, always encouraging me to keep going even when the going gets tough.

Tone: At first, the tone of the poem seems to be quite somber as the mother explains the trials in her life.  Specifically, the first 7 lines paint this very bleak picture. Then, after the word "Bare", the narrator starts  to move away from this bleak picture. Lines 8-9 read "But all the time / I'se been a-climbin' on,". This starts to shift away from a tone of sadness and despair into one of pride and hopefulness as the mother reveals to her son her perseverance through hard times.

Word Choice: We see the contrasting by Hughes continue with his word choice. Before the switch in tone, he uses words such as "tacks", "splinters", and "boards torn up", all of which have a negative connotation and continue to paint a bleaker image. However, after the switch, we see much more positive phrases such as "reaching' landin's" and "turnin' corners". These phrases show a progression through the mother's struggles and a long lasting sense of perseverance and accomplishment. 

Imagery: The line "Life for me ain't been no crystal stair" paints two different images in the minds of the audience. First, we image a type of crystal stair. Something both luxurious yet undemanding, and something which the narrator did not inherit. Instead, she inherits exactly the opposite. She forced to navigate a treacherous and unforgiving path to get to where she wants to go in life.

Syntax: The use of "Life for me ain't been no crystal stair" twice in lines 2 and 20 creates a circular journey for the poem, as the mother describes first the tough road she was faced with, and then how she overcame it step by step. These two areas are indicated almost symmetrically within the poem as both parts contain three consecutive sentences starting with "And". This repetition creates a layering dynamic within each part in which each "And" phrase builds on the one before it. This help to reinforce the perseverance dynamic as the mother is essentially forced to roll with the punches. 

Theme: My theme, based on this poem, is that Perseverance and Determination are values that define our lives and the legacy upon which we leave to future generations. 

Thesis: Langston uses symmetrical style, equally charged positive and negative diction, as well as a circular form to reinforce the values of perseverance and determination as necessary for the success and livelihood of future generations. 

Poetry Blog Number Five - Linda Pastan

Tone: The speaker has a nonchalant and frank tone. She states things in a simple manner, without the use of extra details or emotions.
Word Choice: The speaker uses simple words in an informal manner, at times using a condensed version of a word ('til instead of until). Also she notes each family member as "husband," "son," and "daughter" instead of using names shows their love-lacking relationship.
Imagery: She brings to mind a household that works like a school. She is the student and the other family members are her teachers. I think of a very stiff family.
Style: The speaker uses a subject-verb-noun sentence structure over and over again, bringing to mind the idea of school-like setting. However her language is somewhat young for her age. The way she writes "[her] daughter believes in Pass/Fail" and "wait 'til they learn I'm dropping out" is like a teenager in high school, contrasting with the stiff formality of her family.
Theme: A family built without love as the base of its foundation will not stand for long.

Beginning with the title of the poem, "Marks," provides us with a question: why not call it "Report Card" or "Grades?" I think it may be because the word "Marks" sounds disconnected. When you think of "Report Card" or "Grades" you think immediately of an A or C or 98%. But when you think of "Marks" it doesn't provide a clear image in the mind. Also its stiff and harsh sounding with the hard "k."
The speaker begins with the husband who judges her cooking, cleaning, and sexual abilities. The things he judges her on are stereotypical domestic activities that one would assign to a woman.
The son sounds like a teenager, saying his mother is average. He doesn't provide much information, just that she's like any other mother.
The daughter is perhaps the nicest in my mind, who tells her mother that she passes. But it also brings to mind the fact that one situation could lead to her failing as a mother.

The theme of a family without love falling is seen a lot these days in shows, books, and reality. Family members simply go through the motions and tolerate each other. They don't attempt to reach out to each other. Linda Pastan points this out in this poem where the family members just give each other reviews but nothing else.

My family is perhaps not as harsh as this one, but it's somewhat close. My dad judges my mom on her cooking and cleaning a lot. Dinner usually consists of saying "Today the dinner is good" or "The food doesn't taste like anything" or "I would cook it like this." However he never lifts a finger to cook. My brothers would be the ones to say "you're an average sister/mother/father." They try to stay out of family matters. My sister is the nice one. She compliments every family member, but she's also temperamental. One catastrophe could ruin her groove.

TWIST on Mother to Son

I have a feeling that a lot of people will choose this poem because we all have encountered a similar situation to the poem in which our mom lectures us about how life hasn't be easy for her. Here we go.

TONE: the speaker's tone is simply described as serious. Initially, this is definitely seen in the repetition and language used to describe the mother;s journey. "Life for me ain't been no crystal stair" the mother says to her son. Her tone calls immediate attention to the way that the speaker is communicating. A shift occurs after line 7, where the mother begins to get to her main point, which is to never give up. This is where the tone begins to be inspiring in addition to serious. "So boy, don't you turn back" is the most evident use of the inspiring side of the poem.

WORD CHOICE: The speaker uses language to determine exactly how the reader should interpret the poem. For example, "it had tacks in it, and splinters" implies that her journey has been more than just difficult, but also painful. Tacks and splinters are both thinks that we associate with sharp pain, so it can be inferred that the pain the mother has gone through is sudden and painful, yet superficial. This conveys to the son and the reader the mother's resilience.

IMAGERY: The while poem is a metaphor. The staircase that is being described is the mother's life. The "crystal staircase" represents a life of luxury and ease, which we can safely assume are things that our speaker does not and has never held. The speaker once states that her staircase involved "turning corners" which stands for changes in her life where she likely had to make fast and important decisions.

STYLE: The lines in this poem are short, and are divided by breaks in the speaker's thoughts, but that come together in the end to promote a central theme. It's hard to point out a certain point in the poem that demonstrates this. One other thing worth mentioning is that there is no rhyme, which contributes to the seriousness of the poem.

THEME: The central theme of the poem is to never give up on life, because there have been much worse things that other people have lived through.

My connection with this poem is that my mom says this kind of thing to be all the time. It's stereotypical mom, but it's also for a good reason. The best way I can sum up how I feel about these types of conversations is the quote "A smart man learns from his mistakes, A wise man learns from others' mistakes"


Monday, February 24, 2014

Langston Hughes Poem

Tone:  The speaker’s tone is matter of fact. She describes calmly the obstacles she faces and has faced, and notes simply that she has continued going.
Word Choice: Hughes employs simple, concrete diction with words like “tacks” and “splinters.” While his subject is lofty, his word choice is not.
Imagery: The poem portrays life’s challenges as a long staircase, one that in the case of the speaker is rough and perhaps dangerous. This is to demonstrate that life can be “kinder hard,” and even though obstacles—“tacks,” “splinters,” “boards torn up,” and so on—exist, the mother urges her son to supersede them.
Style: The speaker speaks in dialect by dropping g’s (i.e. “turnin’”), repeating the word “I’se,” and using words like “ain’t” and “kinder.” This use of dialect helps contribute to the informality of the poem and contextualizes the speaker as a lower-middle class black female.
Theme: The theme of this poem is simple and noncontroversial: despite her own experience of life as a constant, unequal struggle, the mother urges her son to take on that struggle and perservere through obstacles that will arise.
Divisions of the poem:
Our speaker begins by clarifying to whom she speaks—her son, though possibly not her literal son but rather those who follow her and thus for whom she feels some sense of responsibility. Next, she describes what life has been like for her. Interestingly, she uses anaphora to emphasize that life “ain’t been no crystal stair.” While most of her description focuses on what life is—challenging, dangerous, uncertain—this repeated phrase explains what her life is not—perfect.
Next, the poem discusses the speaker’s response to the nature of her life. She has struggled onwards, climbing, reaching landings, and turning corners, all of which represent not only literal steps in the process of climbing stairs but also various different parts of her life.
She ends by advising her son to do the same—to continue to struggle on, even when the struggle is challenging. She has done so, she says, and so he must do the same.
Exploration of the theme:
The theme of hard work and perseverance, that most American of themes, takes on an interesting dimension in this poem insofar as Hughes, a black author, was well aware of the extraordinary challenges black Americans faced in contrast to their white counterparts. Certainly, hard work and getting ahead seems attainable, if difficult, for a white. But for a black, the same challenge, undertaken in a viciously racist society, seems much less realistic. Nevertheless, Hughes exhorts, from the perspective of one black to another, the continued pursuit of success even when challenges make that success so much more difficult than it would be for a white.

My family has not faced the same level of difficulty or discrimination suggested by the poem. Nevertheless, I picked this poem because I value hard work very highly and view one of the responsibilities of government, particularly in the US, as maximizing economic equity (not equality) and thereby allowing all the opportunity to succeed through hard work. Equity is one of the ideals most fundamental to the US and one I personally value very highly. 

Sunday, February 23, 2014

TIPCAST of Mother to Son


Title- Mother to Son. This may be a poem written by a mother addressing her son telling him to do or not to do something.

Paraphrase- This mother’s life has been very rough however, she kept going and climbing forwards. She is now telling her son this and wants him to do the same.

Connotation- Don’t give up no matter how rough life may be. If you give up, then you will never make it anywhere.

Attitude- Strong push through.

Shifts- There is a shift at “But all the time…” This shift takes the poem from all the bad that had happened in her life to the fact that she just kept climbing. There is another shift at “So, boy, don’t you turn back…” This shift changes from what the mother has done to addressing the son, telling him to never give up.

Title- Mother to Son. This poem is a mother telling her son to never give up even when times are tough. She has had a rough life but she still pushed through.

Theme- No matter of tough life gets, one must push though and never give up.

 

Divisions:

1)     “Well, son, I’ll tell you… Bare.” This first division dicusses how life can be challenging. “It's had tacks in it, And splinters, And boards torn up, And places with no carpet on the floor— Bare.” All of the words in this section create horrific images. This mother has had a rough life that may have been filled with abuse and other evil actions.

2)     “But all the time… ain’t been no light” Even though her life was tough, she still pushed through. This sections is filled with positive uplifting words: climbing, reaching, turning. This section greatly differs from the first through the world choice.

3)     “So, boy, don’t… no crystal stair.” As the final division, she is summing up what she wants to tell her son. She is telling him not to turn back even though life is “no crystal stair.” This division is mostly positive. She is telling her son to keep going and climbing and not to fall.  

The theme of this poem is so never give up. Everyone’s life can be difficult at times. The people who succeed are the people who never give up.

 

I relate to this poem trough my Great Great Grandmother Mitchel. She married at 13 and was abused by an alcoholic husband. At 16, she had an affair and remarried. She divorced this man and married another, who I believe was rarely around. She had another affair with a farmer who lived near them and then married him. Her life was rough. However, she powered through. She eventually opened nursing homes in the small town she lived in and started a decent living. She was not extremely rich but she was well known in the area. This poem is a description of her life. She was abused and remarried many times. However, she kept pushing and in the end had a decent life.

Wednesday, February 19, 2014

Midas and the Golden Touch

There once was a king named Midas who ruled over a land named Phrygia.  One day, some of the king's servants found a satyr wondering about the palace's vineyards, so they brought the intruder to Midas himself.  Upon seeing the satyr, Midas realized, "Crap, that's one of Dionysus's satyrs, Silenus.  We should probs let the satyr go cuz we're gonna be in trouble if we mess with him."  The satyr and Dionysus were super grateful, so the god of wine and drunk people was all, "Hey, Midas, I'll grant you one wish.  Make sure it's a good one, 'kay?"  Naturally, Midas makes the worst wish possible:  "Okay, Mr. D, I wish that everything I touch be turned to gold."  But the god knew that mortals were stupidheads, so he asked the king, "Are you suuuure?"  Midas said yes.  "But are you reeeeeeeeeeally sure?"  Yes, Midas was absolutely sure; he wanted this power.  So, the god granted the wish.  Midas ran back to his palace and started turning everything into gold:  fruit bowls, stools, silverware, his daughter, a blanket--wait, what?  The king didn't mean to turn his daughter into gold.  His "wish" started to get worse; he couldn't eat his food or drink water or use any utilities around the house.  It was horrible!  So, Midas was able to call Dionysus back to ask him to take away the wish.  The Big Guy let Midas wash away the magic touch in the river Pactolus, which was able to produce shiny deposits of gold thereafter.

I guess my version of Midas's gold would be... umm... I don't know, the internet?  Musicals?  Disney movies?  I don't think there's really anything that I'm truly addicted to, like Midas.  I guess if we're using the word "allure," I'd have to go with theatre.  The word "allure" implies that there's a weird draw towards whatever it your thing is.  (Wow.  I'm so sorry I cannot word anything today.)  There's a sort of magic that encircles a stage, a musical, a script.  It's not something I can easily describe.  It does draw you in, though.  You sort of can't help but be bewitched by it all, especially Broadway because it's so glamorous.  I saw my first Broadway show this past summer, and I was completely transfixed with it all.  Like, I said, hard to describe, but there you have it.

Here's lil' ol' me at my first Broadway show! (If you haven't checked out Once, I highly recommend it!)

Oh and here I am with ARTHUR DARVILL EEEEEEEEEPP

Monday, February 17, 2014

Love poems- chapter 7


Love poems are exchanged at this time of year by many couples. The general love poem sounds like this: “Your eyes are as beautiful as the sky, your lips as red as a rose. When you hug me I feel alive, when you kiss me I feel butterflies. I love you.” However, neither “Love is not all” nor “My mistress’ eyes are nothing like the sun” take this awestruck approach. “Love is not all” talks about how love is not a necessity to live like food and water. However, in Millay’s opinion while love is not necessary, she would not trade the love she receives for anything. Shakespeare takes a different approach to love in “My misteress’ eyes are nothing like the sun” He compares his mistress to everything one would not. For example, her hair is like black wires, her lips are not red like roses and her cheeks are not as red as roses. However, dispite her imperfections the author loves his mistress. He loves to hear her speak and believes that his love is rare.
In “Love is not all,” the author is stating how love is needed but she will not turn it away. “My mistress’ eyes are nothing like the sun” focuses on the negatives of his mistress even though he continues to love her. Both are taking a relatively similar start and ending. Both start off negative and end with I will not turn love away or I still love her. Neither poem really hits on my own view of love. If I am to love someone, I hope I find them attractive. If I am to love someone, I hope I find their love to be a necessity. I would probably say that I am more of the lovey dovey peom person. I would prefer both my loved one and I admire and adore each other to be like the stereotypical “Roses are red, Violets are blue” type of love.

Sunday, February 16, 2014

Poetry Blog Post #4

The song “Ojalá” by Silvio Rodriguez is one that I’ve listened to many, many times. The artist alone is very well-known and admired for his poetic manner. The lyrics are below:
Ojalá que las hojas no te toquen el cuerpo
Cuando caigan
Para que no las puedas convertir en cristal
Ojalá que la lluvia deje de ser milagro
Que baja por tu cuerpo
Ojalá que la luna pueda salir sin ti
Ojalá que la tierra no te bese los pasos
Ojalá se te acabe la mirada constante
La palabra precisa, la sonrisa perfecta
Ojalá pase algo que te borre de pronto
Una luz cegadora un disparo de nieve
Ojalá por lo menos que me lleve la muerte
Para no verte tanto para no verte siempre
En todos los segundos en todas las visiones
Ojalá que no pueda tocarte ni en canciones
Ojalá que la aurora no dé gritos que caigan
En mi espalda
Ojalá que tu nombre se le olvide a esa voz
Ojalá las paredes no retengan tu ruido
De camino cansado
Ojalá que el deseo se vaya tras de ti
A tu viejo gobierno de difuntos y flores
Ojalá se te acabe la mirada constante
La palabra precisa la sonrisa perfecta
Ojalá pase algo que te borre de pronto
Una luz cegadora un disparo de nieve
Ojalá por lo menos que me lleve la muerte
Para no verte tanto para no verte siempre
En todos los segundos en todas las visiones
Ojalá que no pueda tocarte ni en canciones

The speaker in the song has lost someone special to him, someone he loved. He says ojalá, meaning “if only”, multiple times. If only he could forget, if only he didn’t see his love everywhere he went. The repetition of this titular word shows the speaker’s desperation with the situation. However, throughout the song, he goes through the relationship and points out the little things he’s going to see, the perfection of his lover. Through his desperation, the speaker reveals the underlying sadness that this part of his life has come to an end.

Silvio Rodriguez uses imagery and figurative language throughout the song to illustrate these feelings. He says, “ If only the leaves didn’t touch your body as they fell, if only my songs didn’t touch you.” This not only shows the sadness in the speaker’s words, but goes even farther to point out the hope that he still holds in his heart for his love. He exaggerates the situation using hyperboles praying that “the moon comes out even without [his loved one]”. He does this multiple times throughout the song, serving to highlight the speaker’s extreme emotions. Although the song is free-verse, the syntax of the song emulates the sporadic nature of his thoughts as the speaker deals with his broken heart.

Wednesday, February 12, 2014

I love you THIS big


Scotty McCreery- I Love You this Big

http://youtu.be/ZVq8nEHCKd4

I know I'm still young
But, I know how I feel
I might not have too much experience
But, I know when love is real.                                                                                                                
àThis starting stanza starts by pointing out that many people believe young love is not real love. However, Scottie is saying that he knows that this love is real. The diction (Still young, I know, love is real) starts the song off supporting that he loves this girl.

By the way my heart starts pounding
When I look into your eyes
I might look a little silly
Standing with my arms stretched open wide
.                                                                               
àInstead of saying I might look silly standing for a hug, he chooses to describe the hug which adds to the loving mood. Describing the hug also adds imagery and “heart starts pounding” adds sound to the piece.
I love you this big
Eyes have never seen... this big
No-one's ever dreamed... this big
And I'll spend the rest of my life
Explaining what words cannot describe but, I'll try
I love you this big

à Greatly contains repetition of “This big.” This repetition emphasizes how much he loves her. Also, “Eyes have never seen… this big. No-ones ever dreamed.. this big” allows Scottie to emphasize how much he loves this girl without continually says “I love you this big. I love you this big.”

I'll love you to the moon and back
I'll love you all the time
Deeper than the ocean
And higher than the pines
.
à This stanza has allusions and metaphors in it. Little children always say lines like “I love you to the moon and back.” Scottie is also comparing the lengths of his love to the depths of the ocean and the highs of trees.
Cause girl, you do something to me
Deep down in my heart
I know I look a little crazy
Standing with my arms stretched all apart.
àThis is a reword of the second stanza. Again, he repeats looking silly with his arms stretched apart. However, instead of saying “my heart starts pounding,” he is less specific and mentions the anonymous feeling he gets inside.
I love you this big
Eyes have never seen... this big
No-one's ever dreamed... this big
And I'll spend the rest of my life
Explaining what words cannot describe but, I'll try
I love you this big

àThere is an exaggeration when he says “Eyes have never seen… No-one’s ever dreamed” because plenty of people dream of a love like this all the time and this love has existed between other couples. However, couples frequently feel that they are the happiest relationship in the world.

So much bigger than I ever dreamed my heart ever would
I love you this big
And I'd write your name in stars across the sky
If I could, I would

I love you this big
Oh, eyes have never seen... this big
No-one's ever dreamed... this big
And I'll spend the rest of my life
Explaining what words cannot describe but, I'll try
I love you this big

I love you this big
Oh, eyes have never seen... this big
No-one's ever dreamed... this big
And I'll spend the rest of my life
Explaining what words cannot describe but, I'll try
I love you this big

This song simply emphasizes how strong Scottie’s love is for this girl. He uses common phrases like “Ill love you to the moon and back,” and “I love you this big” to display his affection is simple terms. He does not care If he looks silly “with his arms spread open.” This is a simple sweet song.

Tuesday, February 11, 2014

Faithfully by Journey/Longest Blog Ever

I was initially going to write a long introduction about how I didn't choose a Taylor Swift or One Direction song, and my love for this song; but I wrote too much so let's just jump in. First let's examine the first stanza, because this song is basically a poem published by Journey.

Highway run                    
Into the midnight sun
Wheels go round and round
You're on my mind
Restless hearts
Sleep alone tonight
Sending all my love
Along the wire
 
NOTES:
  • Rhyming in the first couplet but nowhere else.
  • Varying number of syllables in a line, no meter.
  • Possible parallel structure in lines 6 and 7, beginnig with an "s" sound, then "al" sound.
  • Speaker is seperated from his love by his career and is struggling to cope with being alone
  • Frequent stream of conciousness, a lot of thoughts that aren't finished.
  • Long pauses between every line.
  •  
    One of the first things you'll probably notice is the deceptive rhyming between the first two lines of the song. This suggests that the song will follow a traditional structure and include a, perhaps A-A-B-B rhyme scheme. However, these lines and only around two other pairs have a rhyme that occurs between sequential lines. There are some instances of examples of an A-B-A scheme. However, for the most part, the poem/song throws rhyming to the side and utilizes a free verse structure, without a meter to hold the song to a set rhythm. So you would assume this wouldn't work, seeing these lyrics on paper, but the execution turned out to be the deciding factor. The speaker in the song talks about being alone on the road because of their profession, which results in them missing their love, and thinking of them constantly. Let's look at the second verse where things get more interesting:

They say that the road
Ain't no place to start a family

Right down the line
It's been you and me

And lovin' a music man
Ain't always what it's supposed to
be

Oh, girl, you stand by me
I'm forever yours
Faithfully


NOTES:
  • More casual choice of words than in the first stanza such as using "ain't no place" and "lovin' a music man".
  • Somewhat of a transition from a monologue to a statement directed at the lover.
  • Speaker mentions they are a musician, which makes sense coming from Steve Perry, and that they want to start a family.
  • Last three lines come right after the others, while they really are the chorus of the song.
  • Speaker emphasizes that they will never leave their lover and he is faithful forever.
Here we see a lot of elements continue from the first stanza, but at the same time, are accompanied with changes. The rhyme scheme is still sparse and their is no unifying meter. This section however, is a marked transtition from the first section. While the first stanza sounds like the speaker is pondering these thoughts to himself, the second stanza starts to use a more casual catalague of words, especially "Oh, girl, you stand by me", and focuses more on the relationship between these two people. "You" and "me"'s are used more here, and Perry goes into more detail about how rough life on the road is for a family man, but reassures his audience that he will remian faithful, that they will both stick by each other. Another thing I noticed when relistening to the recording of the song was that while the first stanza had pauses after every line, and an extended pause after the fourth line; this section has it's line spoken in couplet strings, and sounds more engaged.


Circus life
Under the big top world
We all need the clowns
To make us smile
Through space and time
Always another show

Wondering where I am
Lost
without you


NOTES:
  • Extended metaphor which compares the life of a musician on the road, to that of a clown or a performer in a circus. It's necessary to provide people with happiness, but this strains the relationship of those people who always have another show.
  • Shift in the last two lines back to where we left off in the second stanza.
  • Speaker suggests he needs direction in his life.

Finally some figurative speech thrown in here! Most of this stanza draws a parallel between the life of someone performing in a circus and a musician. There is always a demand for you, but that comes with the cost of being seperated from your loved ones.
 
And being apart
Ain't easy on this love affair
Two strangers learn to fall in love again
I get the joy of rediscovering you

Oh, girl, you stand by me
I'm forever yours
Faithfully
 
NOTES:
  • Pace continues it's increase, pauses are much shorter than the first stanza.
  • Either parallel structure or some form of word play with the double use of "love" in lines 2 and 3.
  • Speaker suggests they've been apart for such a long time, they are strangers, and he gets the pleasure of rediscovering why he loves this person.
  • Shift in the fourth line from monologue to talking directly to the lover.
NOTES ON THE WHOLE SONG:
  • Changing audiene throughout the song, sometimes talking to the lover, sometimes monologing.
  • No unifying meter, occasionaly rhyming, but mostly free verse.
  • Verse 1>Verse 2/Chorus>Instrumental>Verse 3>Verse 4/Chorus>"Whoa" Part>Ending
Here's a link to the music video to the song in case you feel like listening to this on Valentine's Day:
www.youtube.com/watch?v=OMD8hBsA-RI